Activities of Sree Ramanuja Vidyalaya


Sree Ramanuja Vidyalaya has been functioning since the 26th of January 2018 on an informal basis. Dr.Sreeram Jaganathan, B.Sc, M.B.A., M.A, M.Phil, PhD (Sanskrit) and his wife Smt.Anusha Sreeram, B.Sc, M.Sc (IT), M.Music founded the Vidyalaya together to impart value based education to kids during pre and after school hours.

Dr.Sreeram has been teaching Stotras, Basics of Veda, Gita, Sanskrit, moral values and ethics through stories from puranans, itihasas and other sources. He has been mentoring the young minds by instilling self-confidence in them, building on their personality by improving on their listening, understanding, communication and other related skills.

The students are encouraged to speak on a weekly basis on some topic or narrate a story to train their thinking and communication skills. They are taught to think in multiple languages by helping them with the nuances.

Around 50 kids are learning Stotras, Sanskrit etc from Dr.Sreeram. A number of adults are also learning from him. He gives weekly lectures on topics like the Srimad Bhagavad Gita etc to quite a few adults who are interested to know the age-old wisdom that is contained in such texts.

The main idea in imparting such education is to make kids be rooted in tradition yet can adopt themselves to the changing times. They will grow up to be mentors themselves and would motivate their peers wherever they go to study or work.

Smt. Anusha has been teaching Indian classical music (carnatic) – vocal and instrumental (predominantly violin) to many children during their after school hours. There are around 30 students who are learning from Smt.Anusha.

Smt.Anusha gives lectures on music to equip her students with the theoretical knowledge that will complement their performance skills.

Besides offering the above classes and lectures, the Vidyalaya has been organising summer camps for kids to impart traditional knowledge and to make them morally, ethically and spiritually equipped to take on life as they grow up.

Opportunities are given to the kids to showcase their prowess in traditional areas of learning and classical arts. Competitions are also conducted to motivate them. This camp has been happening for two years now.

The Vidyalaya also conducts programs for adults on traditional rituals.

A Trust in the name Sree Ramanuja Vidyalaya was formed on 26th July 2019 by Dr.Sreeram Jaganathan (Managing Trustee), Dr. S.Padmanabhan (Trustee) and Sri. E.S.Mukundan (Trustee) with an idea to reach out to many more kids and adults and to run the classes on a full-fledged basis in a more organised manner. A fulltime modern patashala (for boys) combining Vedic education with modern education has been functioning since the 8th of October 2019. There are two full time students and three part time studnets. Some more full time students are expected to join in April 2020. Next step would to be to extend the patashala for girl children without compromising on the Sanatana dharma injunctions.

Planning is underway to rope in many professionals and teachers to impart education on a variety of topics including ancient Indian languages like Tamil, Sanskrit, Telugu, Kannada etc. A bank account has been opened in the name of the Trust and funds are being collected from noble minds. Dr.Sreeram can be contacted on +91 9940086253 and The Vidyalaya has a website that is in the process of being renovated.

Sri Dehaleesha Stuti – meaning with emphasis on Sanskrit

Vamana transforming in to Trivikrama in the fingers of Sri Keshav

Sri Dehaleesha Stuti, consisting of 28 verses is a beautiful piece of poetry on Sri Dehaleesha, the presiding deity of Thirukovalur located on the scenic banks of Pennaiyaar. The right leg of the Emberumaan goes up to the space while his left leg is well placed on the earth. The usual places of his conch and discus are also interchanged. This is the kshetra wherein the Emberumaan rejoicing in the very close company of the first three Alwars – Poigai Alwar, Bhudat Alwar and Peyalwar, blessed them and made them sing the first three thiruvanthathis out of the unbound bhakti towards Him.

Besides narrating the scenic beauty of the place, the birth of Ganga, the coming together of the three Alwars on a rainy night in a dehali (threshold of a house) and the divine leela of Emberumaan with them, the transformation of Vamana in to Trivikrama etc, Desika very nicely discusses the aspects of prapatti and the outlook of a prapanna in general.

The meanings of the verses have been rendered in Tamil with a special focus on Sanskrit (to help beginners) and the recordings are shared in parts in the following links,

Introduction and the first six verses

verses 7 to 12

verses 13 to 18

verses 19 to 24

verses 25 to 28

Acharya Krupa



Sri Mahaveera Vaibhavam – meaning with emphasis on Sanskrit and citations from Srimad Ramayana

Sri Raman with Sita Piratti, Ilayaperumal and Siriya thiruvadi at Thiruvendipuram

Sri Mahaveera Vaibhavam or Sri Raghuveera Gadyam is a prose-stuti or gadyakavya of Sri Nigamantha Mahadesikan. Sampradaya says this stuti was composed by Sri Desika on the archa murti of Sri Rama of the divya kshetra Thiruvendipuram. Consisting of 94 churnikas the stuti begins with the words ‘jaya jaya mahavira’. Swami Desikan has himself named this stuti as Mahaveera vaibhavam vide the line ‘pathata mahaveera vaibhavam sudhiyah’ in the concluding verse of the work.

Adiyen, with whatever meagre knowledge in Sanskrit that has been acquired, has attempted to narrate the meanings of this wonderful piece of prose-poetry with special emphasis on the basics of Sanskrit.

The recordings are done in parts. The link to the audio file of the first part that contains the introduction and meanings of the first 19 churnikas is as below

The link to the audio file of the second part that contains the meanings of the choornikas from 20th to 36th is as below

The link to the audio file of the third part that contains the meanings of the choornikas from 37th to 54th is as below

The link to the audio file of the fourth part that contains the meanings of the choornikas from 55th to 76th is as below

The link to the audio file of the final part that contains the meanings of the choornikas from 77th to 94th (the last) and the two slokas thereafter is as below

Please find below the YouTube link to adiyen’s recitation of Sri Mahavira Vaibhavam

Adiyen’s recitation of Sri Mahaveera Vaibhavam



Srimad-Rahasyatraya-Sara-adhikara-namavali – a metrical composition

Swami Desika – a pencil sketch by adiyen

Srimad Rahasyatraya Sara, considered to be the magnum opus of Sri Nigamantha Mahadesikan, is a comprehensive work in manipravala, a mix of Sanskrit and Tamil, and is about the three rahasyas or mantras that are very central to the philosophy of Vishishtadvaita. There are 32 adhikaras or chapters in this work. Adiyen was requested by a bhagavata to compose a metrical work mentioning the names of those 32 adhikaras in anushthup metre (sloka metre) so that bhagavatas can easily memorise and remember them. There should be a work available already in this regard already composed by our poorvacharyas. Adiyen has also done one, whatever be its worth. The link to the document is as below:



Sri Gopala Vimshati – meaning with emphasis on Sanskrit

Sri Gopala Vimshati is one of the 28 stotras composed by Sri Nigamantha Mahadesikan. It has twenty one verses in all, the last one being the phalastuti. In the 20 mellifluous verses, Desikan brings out his anubhava of the beautiful form of the naughty Balakrishna that are rich in sabda alankara as well.

The link to the consolidated audio file of the introduction and the first seven verses is as below.

The link to the consolidated audio file of the next 7 verses – from the 8th to 14th is as below.

The link to the consolidated audio file of the last 7 verses – from the 15th to 21st is as below.



Sri Bhustuti – meaning with emphasis on Sanskrit

Sri Bhustuti is a stotra in Sanskrit  by Vedanta Desika on Bhudevi or Bhumi piraatti as we hail her, who is one of the consorts of Emberumaan. It has 33 verses in all, most of them in the famous vasantatilaka vrtta or metre.

Referring to a few commentaries Adiyen has given the meaning of the verses in Tamil stressing upon the basics of Sanskrit that are required to enjoy the verse from a language perspective. The anvaya or prose order of the verse and the vibhakti or case endings of the words deployed in the verse are shared in the audio recordings.

The audio recording of the first part that covers introduction and the first 6 verses is as below.

The audio recording of the meanings of verses from 7 to 12 is available in the link below

The audio recording of the meanings of verses from 13 to 18 is available in the link below

The audio recording of the meanings of verses from 19 to 25 is available in the link below

The audio recording of the meanings of last set of verses from 26 to 33 is available  in the link below