The karma of some of us is linked and that is why we are attracted to some people without a reason even. Otherwise how, myself, a reserved face to strangers would have been attracted to the 86 years old Sriman Meyyur Narasimhachari, the elderly Srivaishnava who goes about his daily visit to the Sri Vedanta Desika Devasthanam, Mylapore in a very quiet manner? The attraction was mutual, I should say. Once my Guru and mentor Dr.S.Padmanabhan introduced us to each other. From then on the hoarse or gravelly voiced would stop and enquire ‘Enna Sreeraman! Sowkyama irukkera?’. He would often handout a piece of paper that would contain some verses in Tamil neatly handwritten and photocopied. The verses would be on Lord Srinivasa or Swami Vedanta Desikan or other acharyas. I would wonder how many would even read them in full, forget about appreciating it. Ofcourse I would run through it quickly and pass on my acknowledgement and appreciation to the blessed poet – He began writing only after retirement with the grace of Lord Hayagreeva – in his own words.
The dampati, should have been married for atleast 65 years) are an excellent example of how a married couple should live, especially to the younger couples of modern times who find it a challenge to get along even quite early. Listen to the words of Smt. Vijayalakshmi at the end of the audio file (given at the end of this article) wherein she speaks proudly about her understanding husband! (Her voice is a bit feeble though)
When I was waiting in the hall of the typical agrahara house with a mittham etc the attention of my eyes was grabbed by this picture of Padmavathi Thayar. I assumed it was a photograph and moved on to the next object. Only when the Swami said that it was his painting that was done some 50 years ago I was amazed! Narayana! can this be a painting? I assumed it was a photograph! What a talent! He has painted Swami Desikan also! (see below)
Sometimes when Emberuman chooses to bestow his grace on someone he does not limit it at all. Please see the art work that he has done in soap pieces that we would use to only take bath! As typical of him he has gifted them all but these three – matsya, kurma and a bhanjika. He is so unassuming and casual about his talents! Once in his office days his piece of ingenuity won him the first place in an art exhibition! Alas! those were the days sans technology! Else we could have saved so many things for posterity!
This Swami has composed about 300 poems in Sanskrit in different vrttas, around 3500 verses in Tamil, about 120 songs in Tamil that can be set to music (some of them have been set to music and performed in the past). He has completed the grantha-chatushtaya kalakshepam (all after retirement).
Having so many compositions in his forte he is a gifted sishya who has been extolled by his Acharya, who is no ordinary scholar, but mahamahopadhyaya, mahavidvan Perukaranai Chakravarti Swami in his forewords to Swami’s books ‘Thirumayilaith Thirumal Shathakam’ (100 pasurams) and ‘Thiruvinnagar Pamalai’ (273 pasurams).
H.H.Poundareekapuram Anadavan has also rendered his srimukham to the latter book. He has published his carnatic compositions in two parts under the title ‘Gaanasudharnavam’. He has composed 3000 pasurams about various divyadesa perumals. He recited some of his pasurams with his childlike enthusiasm for the delight of the listeners.
‘khyatilaabhapoojaasu vimukho vaishnava janah’ – It would not be an exaggeration to praise this bhagavatottama with the above words! He has been writing so much without an eye on any recognition! He continues to write still, photocopy it and shares it with like minded bhagavatas! Adiyen could only express a wish that adiyen would arrange through someone to have all his compositions typed atleast to present them through a blog or website!! I wish someone takes up this contemporary poet’s compositions for some research work!
The link to the audio file of the interview is https://drive.google.com/open?id=1ZwCUW-Z6EYKQTX_pPLJPuTCId4PJg2L
It is really high time this Swami gets recognised for his contribution to Tamil and Sanskrit poetry.
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